EQ & Filtering

The Kite EQ Features All controls are stereo except O/P TRIM and are indented for easy recall;' HPF (High Pass Filter) operates at 20 & 40Hz with a 12dB/octave curve; BASS BOOST and BASS CUT both have 2 selectable operating frequencies, which...

Factory Conversion of NSEQ-2 to NSEQ-4. Includes refurbishment of filter boards, new main board, new power supply and new front panel.

xfilter Mastering Edition 4-Band Analog Stereo Equalizer Stereo Link and Precise Control Range It all started with Bob Katz’s idea of tweaking his own xfilter. So Ruben surely took this pretty serious and spend some time for tweaking components...

TK-lizer 2Mastering EQ with M/S function The TK-lizer 2 is a Baxandall type of EQ, high and low bands are selectable between shelving or peak, very useful for tuning of your low’s, mid’s and high’s. The TK-lizer 2 also has a built-in...

The TK-lizer 2 is a Baxandall type of EQ, high and low bands are selectable between shelving or peak, very useful for tuning of your low’s, mid’s and high’s.The TK-lizer 2 also has a built-in M/S function which let you process the mid...

The new MEQ-1NV is the Great River channel strip – discrete Class-A, incredibly versatile. The EQ-1NV (four-band parametric, true inductor/capacitor, ’70’s British “1081/1083”-style) is routed via the patch loop jack on the...

The EQ-2NV (two channel equalizer) greatly modernizes the classic British “1081/1083”-type design. This single-rack-space digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome...

The Pullet is a passive EQ which has a sharp focus on mid range frequencies. The Pullet will provide the EQ network to a signal but will reduce the signal level so that a preamplifier with a gain of up to 40dB is needed in order to lift the signal back...

As with ELI’s other signal processors, the Lil FrEQ Equalizer takes a somewhat unique approach to its job.  Instead of daisy chaining several equalizers and frequency processors, we combined most of the sound sculpting tools an engineer needs...

When launched in 1972, the 1081 became the most flexible equalizer ever in a mixing console. Its 4 band equalizer allowed sculpting the sound in such a unique way, mainly due to the fact that both mid bands covered almost the whole audio spectrum in 20...

In March 1970 the first 1073 module was launched and became the standard in 80 series consoles. The 1066 was gradually replaced in newly shipped consoles and finally disappeared. The 1073 featured almost the same identical circuitry, being the most...