Description
Designed for concert level and touring PA system - low output gain stage provides unprecedented gain before feedback in monitors.
The OM7 is used by professional sound companies, front of house and mixing engineers as well as high profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to “cup” the microphone with both hands.
In order to achieve these extraordinary performance benefits, the OM7 is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 is best suited for use with high quality mixing consoles which have plenty of head room to compensate for the low gain.
Features
- Studio quality sound
- Low gain stage acts as natural pad
- Unprecedented gain before feedback
- Handles high SPL without distortion
- Low handling noise
- Provides exceptional vocal isolation on stage
- Dent resistant steel spring grill
- 5 year warranty
Applications
- Lead or backing vocals
- Live recording
- Broadcast
- Home studio - vocal and instrument
- Sax, brass, guitar, dobro, flute, percussion, drums
Supplied Accessories
- Heavy duty nylon mic clip (MC1)
- Carrying pouch (P1)
Specifications
Transducer Type Dynamic
Frequency Response 48 Hz - 19 kHz
Polar Pattern Hypercardioid
Output Impedance 150 ohms
Sensitivity 0.8 mV / Pa @ 1k
Capsule Technology VLM Type C
Off Axis Rejection > 30 dB
Maximum SPL ≥144 dB
Power Requirements None
Connector Switchcraft® or Audix male, XLR connector
Polarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Zinc Alloy / Black E-coat
Weight 307 g / 10.8 ounces
Length 176 mm / 6.9 inches
