Audix DP7 7-Piece Drum Microphone Package

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SKU:
DP7
UPC:
687471401125
Weight:
12.50 LBS
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  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
  • Audix DP7 7-Piece Drum Microphone Package
$1,049.00

Description

The DP7 represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio. The package contents are conveniently packaged in a foam-lined aluminum road case for safe keeping when the mics are not in use.

D6 - Kick Drum  

The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.

i5 - Snare

The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.

D2(two) - Rack Toms

For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounding harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.

D4 -  Floor Tom

The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size. The D4 is characterized with flat linear response and can be considered the most versatile of the D-Series microphones.

ADX51 (two) -  Overheads

The ADX51 is a pre-polarized condenser microphone designed to handle nuances of recording as well as the rigors of live sound. Characterized with extended highs, excellent imaging, and high SPL capabilities, the ADX51 can be used for cymbals, high-hat, and acoustic instruments. The ADX51 also features a -10dB pad and bass roll-off filter, making it extremely useful for a wide variety of applications.

Package Contents

  • 1 x Aluminum road case
  • 1 x i5 snare mic
  • 2 x D2 tom mics
  • 1 x D4 floor tom mic
  • 1 x D6 kick drum mic
  • 2 x ADX51 overhead mics
  • 4 x DVICE gooseneck clips
  • 1 x MC1 mic clip
  • 3 x DCLIP mic clips
  • 2 x WS81C windscreens
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Specifications

D6 Kick Drum Microphone 

Transducer Type Dynamic
Frequency Response 30 Hz - 15 kHz
Polar Pattern Cardioid
Output Impedance 200 ohms
Sensitivity 0.8 mV / Pa @ 80 Hz
Capsule Technology VLM Type E
Off Axis Rejection >20 dB
Maximum SPL ≥144 dB
Power Requirements None
Connector Switchcraft® or Audix male XLR connector
Polarity Positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Machined Aluminum / Black Hard Coat
Weight 217 g / 7.7 ounces
Length 117 mm / 4.6 inches

i5 Multi-Purpose Instrument Microphone

Transducer Type Dynamic
Frequency Response 50 Hz - 16 kHz
Polar Pattern Cardioid
Output Impedance 150 ohms
Sensitivity 1.5 mV / Pa @ 1k
Capsule Technology VLM Type B
Off Axis Rejection > 23 dB
Maximum SPL ≥ 140 dB
Power Requirements None
Connector Switchcraft® or Audix male XLR connector
Polarity Positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Die cast Zinc Alloy / Black E-coat
Weight 183 g / 6.5 ounces
Length 141.5 mm / 5.6 inches

D2 Dynamic Instrument Microphone 

Transducer Type Dynamic
Frequency Response 80 Hz - 18 kHz
Polar Pattern Hypercardioid
Output Impedance 250 ohms
Sensitivity 1.2 mV / Pa @ 1k
Capsule Technology VLM Type B
Off Axis Rejection >30 dB
Maximum SPL ≥144 dB
Power Requirements None
Connector Switchcraft® or Audix male XLR connector
Polarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Machined Aluminum / Black Hard Coat
Weight 128 g / 4.5 ounces
Length 100 mm / 3.9 inches

D4 Dynamic Microphone

Transducer Type Dynamic
Frequency Response 40 Hz - 18 kHz
Polar Pattern Hypercardioid
Output Impedance 200 ohms
Sensitivity 1.4 mV / Pa @ 1k
Capsule Technology VLM Type D
Off Axis Rejection >20 dB
Maximum SPL ≥144 dB
Power Requirements None
Connector Switchcraft® or Audix male XLR connector
Polarity Positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Machined Aluminum / Black Hard Coat
Weight 128 g / 4.5 ounces
Length 100 mm / 3.9 inches

ADX51 Pre-polarized Condenser Microphone

Transducer Type Pre-polarized condenser
Frequency Response 40 Hz - 18 kHz
Polar Pattern Cardioid
Output Impedance 100 ohms
Sensitivity 17 mV / Pa @ 1k
Capsule Technology Black plate electret
Off Axis Rejection >15 dB
Maximum SPL ≥132 dB
Power Requirements 9-52 volts phantom
Connector 3 pin gold plated male XLR connector
Polarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing / Finish Brass / Black E-coat
Weight 184 g / 6.5 ounces
Length 160 mm / 6.3 inches

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