Allen & Heath Avantis 64-channel Digital Mixer

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SKU:
AH-AVANTIS
UPC:
6938122249325
Weight:
75.00 LBS
Shipping:
Calculated at Checkout
  • Allen & Heath Avantis 64-channel Digital Mixer
  • Allen & Heath Avantis 64-channel Digital Mixer
  • Allen & Heath Avantis 64-channel Digital Mixer
  • Allen & Heath Avantis 64-channel Digital Mixer
  • Allen & Heath Avantis 64-channel Digital Mixer
  • Allen & Heath Avantis 64-channel Digital Mixer
  • Allen & Heath Avantis 64-channel Digital Mixer
  • Allen & Heath Avantis 64-channel Digital Mixer
  • Allen & Heath Avantis 64-channel Digital Mixer
  • Allen & Heath Avantis 64-channel Digital Mixer
$13,499.00

Description

IT'S A SMALL STEP TO A GIANT LEAP

The third mixer based on our 96kHz XCVI FPGA engine, Avantis puts all our next-generation technology in a 64 channel / 42 configurable bus console, with dual Full HD touchscreens, a super-flexible workflow with Continuity UI, extensive I/O options, add-on processing from our flagship dLive mixing system, and a rugged full metal chassis.

Step up to Avantis. Leap ahead of the curve.

  • 96kHz / 64 CHANNEL / 42 BUS DIGITAL MIXER
  • FULLY CONFIGURABLE MIX ARCHITECTURE
  • XCVI CORE - 0.7MS LATENCY / PHASE COHERENT
  • DUAL FULL HD TOUCHSCREENS WITH CONTINUITY UI
  • EVERYTHING I/O - HUGE RANGE OF REMOTE EXPANDERS
  • dPACK UPGRADE FOR ADDITIONAL dLIVE PROCESSING
  • SUPER STRONG, LIGHTWEIGHT FULL METAL CHASSIS

CONTINUITY UI

It's your mixer so mix your way.

With a massive 206 square inches of screen space operating at a crisp 1080p Full HD resolution, Continuity UI allows you to see and instantly interact with more of what matters, enabling a seamless connection between the physical controls and the displays.

The faders react on touch to immediately highlight the active channels for instant visual feedback.

The channel rotaries let you work gains or pans, then at the touch of a button, dynamically fold the display to show EQ or compressor parameters across the whole bank.

Each screen also features a FastGrab tab on the right-hand side, giving you split-second access to key freely-assignable parameters like aux sends, EQ, compressor and FX on the currently selected or specific channel.

The whole system is set up to dynamically surface the information you need at any moment and put control right at your fingertips.

EVERYTHING I/O

A complete ecosystem of remote expanders.

Whether you’re an owner/operator looking to build a compact system, or a rental company with existing Allen & Heath stock, the SLink connection on Avantis allows true flexibility by connecting to the entire range of Allen & Heath audio expander hardware.

Add a Dante card to your system and you’ve got even more options, with our dedicated Dante expanders, DT168 and DT164-W.

GX4816 - THE PERFECT PARTNER I/O

48 XLR Input / 16 XLR Output - 96kHz

GX4816 is a 96kHz audio expander that provides high-input-count remote expansion that makes it the ideal I/O expander for Avantis.

Each GX4816 is loaded with 48 dLive mic preamps with independent Phantom Power LED indicators, plus 16 XLR line outputs. Additionally, 2 DX ports are provided for connection to up to 4 DX Expanders for further I/O expansion. Connection to a ME Personal Mixing System is possible via the DX2 socket.

DX012 - GET MORE OUT OF YOUR SYSTEM

12 Configurable Outputs - Switchable Analogue/AES - 96kHz

Perfect for feeding IEM systems and amplifier racks, DX012 offers both analogue and AES digital output options in a compact 1U form factor.

Each DX012 provides 12 XLR outputs, configurable as:

  • 12 analogue line outputs
    • 8 analogue line outputs + 4 stereo AES outputs
    • 4 analogue line outputs + 8 stereo AES outputs

UPGRADE TO dPACK

Get acclaimed dLive processing.
Inside your Avantis

Right out of the box, Avantis is loaded with powerful processing tools that will easily meet the demands of most users and applications. Want more options? Upgrade your console with Avantis dPack to get additional dLive processing including Dyn8 (up to 16 instances), DEEP Compressors, and the Dual Stage Valve Preamp, plus more models as they’re added.

dPACK - DEEP

Trusted by platinum selling artists on sellout tours, DEEP puts incredible emulations directly within Avantis’ input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency.

dPACK - DYN8

Avantis dPack also delivers Dyn8, a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dPack enables 16 Dyn8 engines for inserting on Input and Mix channels.

A WORLD OF CONTROL

Avantis can be controlled using the Avantis Director software, MixPad app, Custom Control app or from our range of remote controllers and GPIO interfaces, with up to 48 IP remote controllers over a standard TCP/IP network. Applications include control of IEM mixes on stage, extra fader banks at FOH, and local control in breakout rooms.

IP1

  • 1x push n turn rotary
  • 1x LCD display
  • Wallplate (US or EU/UK standard)
  • PoE

IP6

  • 6x push n turn rotaries
  • 18x SoftKeys
  • 8x LCD displays
  • Free standing or flush mount
  • PoE or wall wart

IP8

  • 8x 60mm motor faders
  • 22x SoftKeys
  • 8x LCD displays
  • Free standing, flush mount or mic stand
  • PoE+ or wall wart

GPIO

  • 8x GPI
  • 8x GPO (N/O)
  • Half U, rack-mountable
  • PoE or wall wart

RACKEXTRA FX

12 dedicated fx rack slots. And no compromises

Trust us, these are not your usual built-in effects.

Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best third party plug-ins, but with none of the associated hassle.

With a passion bordering on obsession, we’ve created a suite of FX inspired by some of the most revered outboard equipment, including pristine reverbs, detailed delays, and wonderful classic modulation effects.

Best of all, we offer our 12 FX slots with no compromises. Each effect takes up just one of the 12 slots, and each of the 12 FX slots has a dedicated stereo return - so you don’t need to waste your input channels.

FULL METAL CHASSIS

Lightweight and super-strong.

You’ve probably noticed that Avantis is not just another dull grey box mixer with plastic sides. Part-inspired by the tubular exo skeletons of the latest generation of superbikes, those sleek curves are all metal - super tough - but lightweight.

Because every part of Avantis was designed in pursuit of performance and reliability, we subjected it to some of the most rigorous testing we’ve ever embarked upon. And it took it all.

DIRECTOR

Editor & Control. Offline and Online.

Avantis Director is a free Windows and Mac OS application enabling offline editing and online control capabilities. Offline mode can be used for the creation and editing of show files and system configuration, as well as serving as a training tool for new users. Online mode delivers full remote-control of the mixer, freeing the engineer from the mix position to make changes from anywhere in the venue.

ONEMIX & MIXPAD APPS

Remote mixing. Personal monitoring.

 

MixPad

Avantis MixPad is an engineer’s mixing tool providing wireless mobile control for Allen & Heath Avantis digital mixers. It gives you the freedom to walk the room or stage and control the sound right where it is needed. Avantis MixPad and the Avantis mixer can work together to provide simultaneous control of independent functions, for example one engineer using the mixer to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control.

OneMix

OneMix is a cut down version of the Avantis MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the 'Admin' user to give each musician customised personal monitor control via Wi-Fi connection to Avantis without the risk of affecting the other monitors or FOH main mix. Avantis OneMix can be configured to provide as much or as little control as needed.

WELL CONNECTED

Dante. Waves. And so much more.

For local I/O, Avantis is well equipped with 12 XLR analogue inputs, 12 XLR analogue outputs, plus AES (Stereo In, 2x Stereo Out).

Two additional I/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64x64 and 128x128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH / monitor splits and multitrack recording.

  • DANTE 128x128
    • With 128 channels of bidirectional audio at 96kHz, the Dante 128x128 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately).
  • DANTE 64x64
    • The Dante 64x64 audio networking card offers low latency connectivity to Dante networks and devices using standard networking cabling and hardware and is a cost-effective alternative to Dante 128x128 in applications that don’t require the additional I/O.
  • Waves V3
    • An interface to the Waves SoundGrid networking platform, for plugin processing, multitrack recording and audio distribution.
  • gigaACE
    • A cost-effective and plug ‘n play solution for digital splits and point-to-point connections.
  • superMADI
    • A flexible toolkit of broadcast connectivity. Multiformat to address requirements of broadcast/recording feeds + OB Vans.
  • fibreACE
    • A fibre optic solution for large scale events and long cable runs up to 500m.
  • AES
    • AES3 I/O cards provide a convenient solution for digital patching from an Avantis system to system PA, monitor amps and speaker controllers, or for console combining. Four versions are available:
      • 4in 6out (M-DL-AES4I6O-A)
      • 10out (M-DL-AES10O-A)
      • 6in 4out (M-DL-AES6I4O-A)
      • 2in 8out (M-DL-AES2I8O-A)
  • M-DL-ADAPT
    • The M-DL-ADAPT ‘letterbox’ interface fits in any I/O Port on on an Avantis and adds compatibility with most iLive / GLD audio networking cards including M-Dante, M-Waves, M-ES-V2, M-ACE and M-MADI.
  • DX Link
    • The DX Link audio networking card (M-DL-DXLINK) provides 4 DX Link ports each carrying 32×32 channels of 96kHz audio, that can be used to connect to DX expander units in either Parallel or Redundant mode.
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Specifications

Inputs

  • Mic/Line XLR Inputs Balanced XLR, +48V phantom power
    • Mic/Line Preamp Fully recallable
    • Input Sensitivity -60 to +15dBu
    • Analogue Gain +5 to +60dB, 1dB steps
    • Pad -20dB Active PAD 
    • Maximum Input Level +30dBu (PAD in)
    • Input Impedance >4kΩ (Pad out), >10kΩ (Pad in)
    • Mic EIN -127dB with 150Ω source
    • Phantom Power indication Per socket, internal or external phantom power sensing, triggered at +24V
  • Digital Inputs AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω
    • SRC range 24 bit, 32k - 192kHz, with bypass option

Outputs

  • Analogue XLR Outputs Balanced, Relay protected
    • Output Impedance <75Ω
    • Nominal Output +4dBu = 0dB meter reading
    • Maximum Output Level +22dBu
    • Residual Output Noise -95dBu (muted, 22-22kHz)
      • -90dBu (muted, 0-80kHz)
  • Digital Outputs AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω
    • 96kHz sampling rate, globally switchable to 48kHz, 44.1kHz

System

Measured balanced XLR In to XLR Out, 22-40kHz, minimum Gain, Pad out

  • Dynamic Range 109dB
  • System Signal to Noise -92dB
  • Frequency Response 20Hz - 30kHz (+0/-0.8dB)
  • THD+N (analogue in to out) 0.0015% @ +16dBu output, 1kHz 0dB gain
  • Headroom +18dB
  • Internal operating Level 0dBu
  • dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
  • Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
  • Meter Peak indication -3dBFS (+19dBu at XLR out)
  • Sampling Rate 96kHz

Dimensions and Weights

  • Unboxed
    • Width x Depth x Height
      • 917 x 627 x 269 mm
      • 36.1" x 24.7" x 10.6"
    • Weight 26kg / 57.4lbs
  • Boxed
    • Width x Depth x Height
      • 1100 x 850 x 425 mm
      • 43.3" x 33.5" x 16.7"
    • Weight 34kg / 75lbs
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