PreSonus StudioLive AR12c 12-channel USB-C Interface / Analog Mixer

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SKU:
StudioLive AR12c
UPC:
673454008528
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  • PreSonus StudioLive AR12c 12-channel USB-C Interface / Analog Mixer
  • PreSonus StudioLive AR12c 12-channel USB-C Interface / Analog Mixer
  • PreSonus StudioLive AR12c 12-channel USB-C Interface / Analog Mixer
$599.99

Description

Portable. Affordable. Recordable.

12-channel USB-C™ Compatible Audio Interface / Analog Mixer / Stereo SD Recorder

Audio recording made easy.

Don’t let the classic analog mixer design fool you—the StudioLive® AR12c was built to record. With a pristine analog front-end, eight high-gain XMAX mic preamps, and a 14x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single, intuitive console. Add in a musical 3-band analog EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.

Features

  • Recording
    • 14x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface
    • Record every channel plus the main mix
    • 2x2 SD recorder to capture the main mix
    • Supports SD™ and SDHD™ formats up to 32 GB
  • Mixing
    • 14-channel analog mixer
    • 8 balanced microphone inputs with XMAX mic preamps
    • 2 insert points
    • 2 instrument/line inputs
    • 12 balanced line level inputs:
    • 4 mono
    • 4 stereo pairs
    • Stereo Super Channel (Ch. 13/14) with Bluetooth 5.0 input, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback
    • 4 mono and 4 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ
    • 2 monitor buses with dedicated channel sends, AFL solo, and balanced TRS output
    • L/R Control Room outputs with level control
    • Headphone output with level control
  • Signal Processing
    • Highpass filter on every channel
    • 3-band quasi-parametric EQ with sweepable mid-band on each mono channel
    • 3-band semi-parametric EQ on each stereo channel
    • Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack
    • Mic/line boost on stereo channels for low-level input sources and consumer devices
  • Included Software
    • Capture™ live multitrack recording software
    • Studio One ® Artist recording and production software (DAW)
    • Studio Magic plug-in suite
  • Power
    • Internal power supply
    • Standard IEC power connector
  • Physical
    • Sturdy metal construction
    • 60 mm faders
    • Optional rackmount kit

A full-featured audio interface.

The StudioLive AR12c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 12 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus a click. Eight lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C compatible connection, your StudioLive AR12c is ready to use as an audio interface for nearly any computer.

The channel that does it all… even Bluetooth connectivity!

The unique Super Channel can handle four stereo sources at once, making it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ?-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap.

A complete recording solution for studio and stage.

The StudioLive AR12c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus’ Capture™ live-recording software. Create complete studio productions with our award-winning Studio One® Artist DAW. With two professional recording applications included with your StudioLive AR12c, you’re ready to record right out of the box.

Stereo recording without a computer.

Imagine you’re rehearsing with your band and want to record your session to analyze later. Or perhaps you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR12c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix to listen to later, so you’ll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.

Effects without latency.

Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR12c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart's content.

All the connections you need with a familiar look.

Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR12c is the ultimate recording solution. The four mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR12c audio interface will be the center of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR12c is the perfect recording and mixing solution for the modern musician and content creator.

Works with iOS and iPadOS devices.

The PreSonus StudioLive AR12c is compatible with iOS and iPadOS devices including iPad Pro, iPad, iPad Air, iPad Mini, iPod Touch, and iPhones. Because it's USB class-compliant, there are no special drivers or applications for you to download and install. You'll be able to produce on the go—everything from podcasts to folk rock to trap, wherever sound takes you.

Make your own magic.

At PreSonus, we want to make sure that our audio products come with everything you need to craft your own mesmerizing spells in the studio. That's why we include Studio One Artist with every audio interface and controller product we make, from the 2-channel AudioBox USB 96 to the 64-channel StudioLive 64S, ATOM to FaderPort 16, but we didn't stop there. Why? Because here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it's in that spirit that we also include the Studio Magic Suite of software with our audio interface products and–new for 2021–our award-winning controllers as well.

The 2021 Studio Magic includes Ableton Live Lite, tutorials from Melodics, sound libraries from Ghost Hack, 7 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats to use in Studio One 5 Artist or your DAW of choice with a retail value of over $1000 (US).

 

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Specifications

Computer system requirements:

Below are the minimum computer-system requirements for use with Capture™ and Studio One®.

  • Mac
    • macOS® 10.13 or higher (64-bit only)
    • Intel® Core™ i3 or better
    • Minimum 4 GB RAM (8 GB or more recommended)
  • Windows
    • Windows® 10 (64-bit only)
    • Intel Core i3 / AMD A10 processor or better
    • Minimum 4 GB RAM (8 GB or more recommended)
  • Mac and Windows Systems
    • USB 2.0 port
    • Internal or external 7200 RPM storage drive highly recommended
    • 30 GB hard disk space
    • Monitor with 1366x768 resolution

The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.??

Technical Specifications

Microphone Preamp

  • Type XLR Female, Class A XMAX
  • Maximum Input level (unity gain) +9 dBu ±1.0 dB
  • Gain Control Range 43 dB (+12 to +55 dB)
  • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/- 1.5 dB
  • S/N Ratio to Outputs (+4 dBu) 94 dB
  • THD+N (min. gain, A-wtd) < 0.01%
  • Input Impedance 1 kΩ
  • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) Mono Channels: < 128 dBu
  • Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB
  • Phantom Power +48V, ±3V, Global

Instrument Inputs

  • Type ¼” TS Female, Unbalanced, Hi-Z
  • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +9 dBu ±1.0 dB
  • Gain Control Range 43 dB, ±1 dB (+12 to +55 dB)
  • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Dynamic Range (min. gain, A-wtd) > 105 dB
  • Dynamic Range (mid. Gain, unwtd) > 108 dB
  • THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01%
  • THD+N (1 kHz, -1 dBFS, unwtd) < 0.01%
  • Input Impedance > 1 MΩ

Line Inputs

  • Type ¼” TRS Female, Balanced
  • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +26 dBu ±1.0 dB
  • Gain Control Range
    • Mono Channels: 40 dB, ±1 dB (-5 to +35 dB)
    • Stereo Channels: 0 dB or +10 dB (+10 dB Boost)
  • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/-1.5 dB
  • S/N Ratio to Analog Outputs (+4 dBu) 85 dB
  • THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01%
  • Input Impedance (Balanced) 10 kΩ

Main, Control Room, Monitor, and FX Outputs

  • Type (Main Outputs) XLR Male, Impedance Balanced
  • Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced
  • Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB
  • Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu
  • Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Dynamic Range (A-wtd) > 108 dB
  • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01%
  • Output Impedance 100 Ω

Headphone Output

  • Type ¼” TRS Female, Stereo, Unbalanced
  • Maximum Output Level 150 mW/channel @ 60 Ω
  • Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Dynamic Range (A-wtd) > 103 dB
  • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01%

System Crosstalk

  • Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -90 dBu
  • Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -85 dBu

Signal Level LED

  • Signal -30 dBFS (pre-EQ)
  • Clip -3.0 dB before clip (pre- or post-EQ)

Channel EQ

  • Low Cut 100 Hz, -18 dB/Octave
  • High Shelving ±15 dB @ 10 kHz
  • Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)
  • Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz
  • Mid-Band Q Boost: 1.0, Cut: 2.5
  • Low Shelving ±15 dB @ 100 Hz

Digital Audio

  • Host Interface USB 2.0
  • ADC Dynamic Range (Component) 114 dB
  • ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB
  • DAC Dynamic Range (Component) 114 dB
  • DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB
  • Signal-to-Noise (a-weighted) -96 dB
  • Bit Depth 24-bit
  • Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz
  • Jitter < 80 ps RMS (20 Hz – 20 kHz)
  • Jitter Attenuation > 60 dB (1 ns in => 1 ps out)

SD Recorder

  • Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card
  • Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB
  • Recording File Format Stereo WAV
  • Playback File Formats Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz)
  • Sampling Rate (WAV) 44.1 kHz
  • Bit Depth
    • Recording: 24-bit
    • Playback: 16- or 24-bit

Power/Environmental

  • Connector IEC
  • Input Voltage Range 90 to 240 VAC
  • Recommended Ambient Operating Temperature 0? to 40? Celsius / 32? to 104? Fahrenheit

Physical

  • Height 3.5” (89 mm)
  • Width (Chassis only) 15” (381 mm)
  • Depth 15.6” (397 mm)
  • Weight 11.9 lbs (5.4 kg)
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